Thomas Gainsborough (1727—88)

by Thomas Gainsborough (1727—88)

Oil on canvas; 127.5 x 107 cm. National Trust, Knole, Kent, England.

by Thomas Gainsborough (1727—88)

Oil on canvas; Height: 244 cm (96.1 in). Width: 152.4 cm (60 in). Kenwood House, English Heritage; London, England.

by Thomas Gainsborough (1727—88)

Oil on canvas, feigned oval; 29 7/8 in. x 24 7/8 in. (760 mm x 631 mm). National Portrait Gallery, London, England.

by Thomas Gainsborough (1727—88)

Oil on canvas; 238.8 × 158.7 cm (94 × 62.5 in). Royal Collection Trust, Buckingham Palace, London, England.

by Thomas Gainsborough (1727—88)

Oil on canvas; 71 × 40 cm (28 × 15.7 in). Private collection ???

Admiral Lord George Brydges Rodney (1719—92)

by Thomas Gainsborough (1727—88)

Oil on canvas; 29 1/2 in. x 24 1/2 in. (749 mm x 622 mm). National Portrait Gallery, London, England.

by John Henry Robinson (1796—1871), after Thomas Gainsborough (1727—88)

Stipple and line engraving; paper size with decorative border: 11 1/8 in. x 7 5/8 in.

by George Kirtland (fl.1791—98), after Thomas Gainsborough (1727—88)

Oil on canvas; 142 x 119 cm. City of London Corporation, Guildhall Art Gallery, London, England.

That Boston Paul Revere knew is so completely gone, it is almost useless to hunt for it. The cutting-down of of hills and building-out of new land has gone on for a century and a half. When in 1756 his artillery train trundled into Boston, they entered over ‘The Neck.’ It was the only land approach to the town. On his right was Roxbury Harbor, to his left the Back Bay, and for a mile he followed an ill-paved, desolate cart path over mudflats. The first sign of civilization was the gallows and around it the graves of criminals and suicides marked with heaps of stone.

Esther Forbes
Paul Revere & The World He Lived In (1942)