That Boston Paul Revere knew is so completely gone, it is almost useless to hunt for it. The cutting-down of of hills and building-out of new land has gone on for a century and a half. When in 1756 his artillery train trundled into Boston, they entered over ‘The Neck.’ It was the only land approach to the town. On his right was Roxbury Harbor, to his left the Back Bay, and for a mile he followed an ill-paved, desolate cart path over mudflats. The first sign of civilization was the gallows and around it the graves of criminals and suicides marked with heaps of stone.
James Sharples (c. 1751—1811)
Pastel on gray (now oxidized) laid paper. 9 9/16 x 7 7/16 in. • 24.3 x 18.9 cm. The Metropolitan Museum of Art, New York, NY.
Pastel on gray (now oxidized) laid paper. 9 1/2 x 7 7/16 in. • 24.1 x 18.9 cm. The Metropolitan Museum of Art, New York, NY.
Pastel on paper. Independence National Historical Park, Portrait Collection (Second Bank of the United States), Philadelphia, PA.
Pastel on paper. Independence National Historical Park, Portrait Collection (Second Bank of the United States), Philadelphia, PA.
Pastel on paper. Independence National Historical Park, Portrait Collection (Second Bank of the United States), Philadelphia, PA.
Pastel on paper. Independence National Historical Park, Portrait Collection (Second Bank of the United States), Philadelphia, PA.
Pastel on paper. Independence National Historical Park, Portrait Collection (Second Bank of the United States), Philadelphia, PA.
Pastel on paper; 74 x 60 cm. John Jay Homestead State Historic Site, Katonah, NY.
Pastel on gray paper; 9 x 7 in. (22.9 x 17.8 cm). The Museum of Fine Arts, Houston, TX.
Paul Revere & The World He Lived In (1942)