Jean-Antoine Houdon (1741—1828)

by Jean-Antoine Houdon (1741—1828)

 

by Jean-Antoine Houdon (1741—1828)

Plaster, painted to resemble terra cotta; cast about 1788; 27 3/4 x 19 1/8 x 12 in. (70.485 x 48.5775 x 30.48 cm).

by Jean-Antoine Houdon (1741—1828)

 

by Jean-Antoine Houdon (1741—1828)

Cast when Marquis de Lafayette was 28.

by Jean-Antoine Houdon (1741—1828)

Based on the life mask cast by Houdon in 1785.

by Jean-Antoine Houdon (1741—1828)

Marble. State Artwork Collection, Library of Virginia, Richmond, VA.

by Jean-Antoine Houdon (1741—1828)

Terra cotta patinated plaster. Thomas Jefferson Foundation, Monticello, Charlottesville, VA.

by Jean-Antoine Houdon (1741—1828)

Plaster. The Morgan Library & Museum, New York, NY.

by Jean-Antoine Houdon (1741—1828)

Based on the life mask cast by Houdon when he visited Mount Vernon in 1785.

by Jean-Antoine Houdon (1741—1828)

Based on the life mask cast by Houdon when he visited Mount Vernon in 1785.

That Boston Paul Revere knew is so completely gone, it is almost useless to hunt for it. The cutting-down of of hills and building-out of new land has gone on for a century and a half. When in 1756 his artillery train trundled into Boston, they entered over ‘The Neck.’ It was the only land approach to the town. On his right was Roxbury Harbor, to his left the Back Bay, and for a mile he followed an ill-paved, desolate cart path over mudflats. The first sign of civilization was the gallows and around it the graves of criminals and suicides marked with heaps of stone.

Esther Forbes
Paul Revere & The World He Lived In (1942)