In a land where horsemanship was often men’s touchiest point of pride, Jefferson had to admit he never saw Washington’s like for grace and control in the saddle. A froniter runner and Indian wrestler — his friend George Mercer described his frame as padded with well-developed muscles
— Washington had by 1774 refined mere energy down to a grace of least movement, the higher athleticism of the dance. And he danced well.
Robert Edge Pine (1730—88)
Oil on canvas; 91.5cm x 73.5cm (36" x 28 15/16"). National Portrait Gallery (Smithsonian), Washington, DC.
Oil on canvas. Historical Society of Pennsylvania Collection, Philadelphia History Museum at the Atwater Kent, Philadelphia, PA.
Oil on canvas; 90.2 x 69.9cm (35 1/2 x 27 1/2"). National Portrait Gallery (Smithsonian), Washington, DC.
Oil on canvas. Independence National Historical Park, Portrait Collection (Second Bank of the United States), Philadelphia, PA.
Oil on canvas. National Portrait Gallery (Smithsonian), Washington, DC.
Photomechanical Print copy c. 1916. U.S. Library of Congress, Prints and Photographs Division, Washington, D.C.
Oil on canvas. Historical Society of Pennsylvania Collection, Philadelphia History Museum at the Atwater Kent, Philadelphia, PA.
Inventing America: Jefferson’s Declaration of Independence (1978)