Benjamin West (1738—1820)

by Benjamin West (1738—1820)

Watercolor on ivory; 6.4 x 4.6 cm (2 1/2 x 1 13/16 in). Yale University Art Gallery, New Haven, CT.

by Benjamin West (1738—1820)

Oil on canvas; 131 x 98 cm (51-1/2 x 38-1/2 in). Historical Society of Pennsylvania Collection, Philadelphia History Museum at the Atwater K

by Benjamin West (1738—1820)

Full title: General Johnson Saving a Wounded French Officer from the Tomahawk of a North American Indian. Oil on canvas. Derby Museum

by Benjamin West (1738—1820)

Art and hand-colored print by Benjamin West; engraving by Pierre Charles Canot (c. 1710—77). Ohio Historical Society, Columbus, OH.

by Benjamin West (1738—1820)

Art and hand-colored print by Benjamin West; engraving by William Smith (1727—1803). Ohio Historical Society, Columbus, OH.

by Benjamin West (1738—1820)

Oil on canvas; 28 1/4 x 23 in. (71.8 x 58.4 cm). New-York Historical Society, New York, NY.

by Benjamin West (1738—1820)

Oil on canvas; 76.2 x 61.6 cm. Private collection.

by Benjamin West (1738—1820)

Oil on canvas; 152.6 x 214.5 cm (60 x 84-1/2 in).
National Gallery of Canada, Ottawa, Ontario.

by Benjamin West (1738—1820)

Oil on canvas; h:66.50 w:66.30 cm (h:26 1/8 w:26 1/16 inches). The Cleveland Museum of Art, Cleveland, OH.

by Benjamin West (1738—1820)

Oil on canvas; 25 x 24 7/8 inches (63.5 x 63.2 cm). Yale Center for British Art, New Haven, CT.

... Washington had made every mistake in the book in the New York campaign. He had misread the enemy’s intentions; he had divided his forces in the face of superior numbers; he had provided no cavalry; he had hesitated almost fatally to get his army out of Manhattan once he grasped the folly of keeping it there; he had allowed Greene to persuade him against his better judgment to keep men in Fort Washington; he had allowed a wealth of precious tents, flour, ordnance, and ammunition at Forts Washington and Lee to fall into enemy hands.

Myron Magnet
The Founders at Home: The Building of America, 1735 - 1817 (2014)