That Boston Paul Revere knew is so completely gone, it is almost useless to hunt for it. The cutting-down of of hills and building-out of new land has gone on for a century and a half. When in 1756 his artillery train trundled into Boston, they entered over ‘The Neck.’ It was the only land approach to the town. On his right was Roxbury Harbor, to his left the Back Bay, and for a mile he followed an ill-paved, desolate cart path over mudflats. The first sign of civilization was the gallows and around it the graves of criminals and suicides marked with heaps of stone.
Benjamin West (1738—1820)
Watercolor on ivory; 6.4 x 4.6 cm (2 1/2 x 1 13/16 in). Yale University Art Gallery, New Haven, CT.
Oil on canvas; 131 x 98 cm (51-1/2 x 38-1/2 in). Historical Society of Pennsylvania Collection, Philadelphia History Museum at the Atwater K
General Johnson Saving a Wounded French Officer from the Tomahawk of a North American Indian. Oil on canvas. Derby Museum
Art and hand-colored print by Benjamin West; engraving by Pierre Charles Canot (c. 1710—77). Ohio Historical Society, Columbus, OH.
Art and hand-colored print by Benjamin West; engraving by William Smith (1727—1803). Ohio Historical Society, Columbus, OH.
Oil on canvas; 28 1/4 x 23 in. (71.8 x 58.4 cm). New-York Historical Society, New York, NY.
Oil on canvas; 76.2 x 61.6 cm. Private collection.
Oil on canvas; 152.6 x 214.5 cm (60 x 84-1/2 in).
National Gallery of Canada, Ottawa, Ontario.
Oil on canvas; h:66.50 w:66.30 cm (h:26 1/8 w:26 1/16 inches). The Cleveland Museum of Art, Cleveland, OH.
Oil on canvas; 25 x 24 7/8 inches (63.5 x 63.2 cm). Yale Center for British Art, New Haven, CT.