Paul Revere (1734—1818)

by Paul Revere (1734—1818)

 

by Paul Revere (1734—1818)

Silver; 21.9 x 18.4 x 13 cm (8 5/8 x 7 1/4 x 5 1/8 in). Yale University Art Gallery, New Haven, CT.

by Paul Revere (1734—1818)

Copper and wood.

by Paul Revere (1734—1818)

Silver; H: 3.7 cm (1 7/16 in), Diameter: 5.1 cm (2 in). Yale University Art Gallery, New Haven, CT.

by Paul Revere (1734—1818)

 

Engraving and print by Paul Revere (1734—1818)

Full title: A View of Part of the Town of Boston in New-England and Brittish Ships of War Landing Their Troops! 1768

engraving by Paul Revere (1734—1818)

Print. Copied from an engraving by

by Paul Revere (1734—1818)

Used in the trial of eight British soldiers who were prosecuted in November 1770; six were acquitted.

Engraving by Paul Revere (1734—1818)

 

by Paul Revere (1734—1818)

Engraved print; 13.4 x 11 cm (5 1/4 x 4 5/16 in). Yale University Art Gallery, New Haven, CT.

C. Vann Woodward has written of Jefferson, It fell to the lot of one Virginian to define America. It was in his private life that Jefferson defined the relationship between blacks and whites in America, acting out in the most specific sense the psychosexual dilemma of the whole nation. Other great men in history have loved unlettered women, among them Rousseau and Goethe, each of whom lived for years with virtually illiterate mistresses and then in the end married them. But Jefferson’s dilemma was peculiarly American. So savage were the penalties of this kind of love in the New World that he could neither admit it nor defend it without fear of social ostracism, and he had to keep up an elaborate pretense that it did not exist. He could not openly, and perhaps even privately admit his paternity to Sally’s children.

Fawn M. Brodie
Thomas Jefferson: An Intimate History (1974)