Thomas Sully (1783—1872)

by Thomas Sully (1783—1872)

Oil on canvas; 60.96 cm (24 in) x 50.8 cm (20 in). Private collection.

by Thomas Sully (1783—1872)

Oil on canvas. Philadelphia Society for the Preservation of Landmarks, Physick House, Philadelphia, PA.

by Thomas Sully (1783—1872)

Oil on canvas; 26 3/4 in. x 21 7/8 in. Yale University Art Gallery, Mabel Brady Garvan Collection, Yale University, New Haven, CT.

by Thomas Sully (1783—1872)

Oil on canvas; 22 3/8 x 30 3/8 in. (56.8 x 77.1 cm). Worcester Art Museum, Worcester, MA.

by Thomas Sully (1783—1872)

Oil on canvas. Penn Medicine, Pennsylvania Hospital Historic Collections, Philadelphia, PA.

by Thomas Sully (1783—1872)

Oil on canvas; 12 ft 2-1/2 in. x 17 ft. 3 in. (3.7 x 5.3 m). Museum of Fine Arts, Boston, MA.

by Thomas Sully (1783—1872)

Oil on canvas; 17 1/8 x 14 in. (43.5 x 35.6 cm). The Metropolitan Museum of Art, New York, NY.

by Thomas Sully (1783—1872)

Oil on canvas. Thomas Jefferson Foundation, Monticello, Charlottesville, VA.

by Thomas Sully (1783—1872)

Oil on canvas. United States Military Academy, West Point, NY.

by Thomas Sully (1783—1872)

Gouache and pencil on paper, laid down on paper; 24.13 cm (9.5 in.) x 15.88 cm (6.25 in). Private collection.

The British red coat (which gave the British soldiers the soubriquet of lobsterback) had been instituted in 1660 and was not to leave the battlefield until 1882. It was the national corporate logo, and arrayed beneath it were subordinate brands — the regiments with their facing colors (the contrast color of the lapel and cuff), connected to the mother brand but differentiated.

Michael Stephenson
Patriot Battles: How the War of Independence Was Fought (2007)