Thomas Sully (1783—1872)

by Thomas Sully (1783—1872)

Oil on canvas; 60.96 cm (24 in) x 50.8 cm (20 in). Private collection.

by Thomas Sully (1783—1872)

Oil on canvas. Philadelphia Society for the Preservation of Landmarks, Physick House, Philadelphia, PA.

by Thomas Sully (1783—1872)

Oil on canvas; 26 3/4 in. x 21 7/8 in. Yale University Art Gallery, Mabel Brady Garvan Collection, Yale University, New Haven, CT.

by Thomas Sully (1783—1872)

Oil on canvas; 22 3/8 x 30 3/8 in. (56.8 x 77.1 cm). Worcester Art Museum, Worcester, MA.

by Thomas Sully (1783—1872)

Oil on canvas. Penn Medicine, Pennsylvania Hospital Historic Collections, Philadelphia, PA.

by Thomas Sully (1783—1872)

Oil on canvas; 12 ft 2-1/2 in. x 17 ft. 3 in. (3.7 x 5.3 m). Museum of Fine Arts, Boston, MA.

by Thomas Sully (1783—1872)

Oil on canvas; 17 1/8 x 14 in. (43.5 x 35.6 cm). The Metropolitan Museum of Art, New York, NY.

by Thomas Sully (1783—1872)

Oil on canvas. Thomas Jefferson Foundation, Monticello, Charlottesville, VA.

by Thomas Sully (1783—1872)

Oil on canvas. United States Military Academy, West Point, NY.

by Thomas Sully (1783—1872)

Gouache and pencil on paper, laid down on paper; 24.13 cm (9.5 in.) x 15.88 cm (6.25 in). Private collection.

At the end of March [1783] Franklin applied to [French Foreign Secretary] Vergennes for permission to publish a complete translation of the United States constitutions in French, the only language in which they could be widely read. He was eager to correct Europe’s misapprehensions about the new nation; he knew as well that he was offering up an advertisement for American trade and immigration.... Copies went out over the summer to the entire diplomatic corps and, in extravagantly bound editions, to Louis XVI and Marie Antoinette. The most influential of Franklin’s European publications the constitutions were universally well received.

Stacy Schiff
A Great Improvisation: Franklin, France, and the Birth of America (2005)