Lafayette’s years in America had given him the most glorious career it was possible for a youth of his disposition to imagine. He had fought for a noble cause, and won the love of a nation. George Washington sent him admiring and heart-sore letters after the marquis returned to France; the state of Virginia presented a bust of him to the city of Paris; the island of Nantucket sent him a 500-pound cheese. Lafayette cherished the love he had earned overseas, and never let the French forget it. When his first two children were born, he named the boy George Washington and the girl Virginia. At his Paris household, his family spoke English, and his messenger was dressed as an American Indian.
William Rush (1756—1833)
North American white pine; 54.6 x 40 x 38.1 cm (21 1/2 x 15 3/4 x 15 in.) Yale University Art Gallery, New Haven, CT.
Terra cotta; 18 3/4 x 15 1/2 x 12 1/2 in. (47.625 x 39.37 x 31.75 cm). Pennsylvania Academy of Fine Arts, Philadelphia, PA.
Terracotta; 19 x 14 3/4 x 11 1/4 in. (48.26 x 37.465 x 28.575 cm). Pennsylvania Academy of Fine Arts, Philadelphia, PA.
Pine; painted white. Independence National Historical Park, Portrait Collection (Second Bank of the United States), Philadelphia, PA.
Terra cotta. Museum of the American Revolution, Philadelphia, PA.
Bronze, stone base; 22 x 17 x 11 in. (55.9 x 43.2 x 27.9 cm). Brooklyn Museum, Brooklyn, NY.
Terra cotta; painted white. Pennsylvania Academy of Fine Arts, Philadelphia, PA.
Known as the Pine Knot Portrait.
Bronze; H: 60 m.; W: 47 m.; D: 26 m. Musée franco-américain du château de Blérancourt, Picardy, France.
Terra cotta; 21 x 18 3/4 x 11 1/4 in. (53.34 x 47.625 x 28.575 cm). Pennsylvania Academy of Fine Arts, Philadelphia, PA.
Wood with paint. The Wistar Institute, Philadelphia, PA.
Gentleman Revolutionary: Gouverneur Morris, the Rake Who Wrote the Constitution (2003)