Mather Brown (1761—1831)

by Mather Brown (1761—1831)

Oil on canvas; 30 1/4 x 25 1/4 (76.80 x 64.14). American Antiquarian Society, Worcester, MA.

The artist at age 50.

by Mather Brown (1761—1831)

Oil on canvas; 91.4 x 71.1 x (36 x 28 1/16 in).

by Mather Brown (1761—1831)

Adams National Historical Park, Quincy, MA.

Known as Nabby (1765—1813), daughter of John and Abigail Adams.

by Mather Brown (1761—1831)

Oil on canvas; 34 ½ x 27 ¼ in. (90.2 x 71.3 cm). Boston Athenæum, Boston, MA.

after Mather Brown (1761—1831)

Portrait by unknown artist after a 1785 painting by Brown.

attrib. Mather Brown (1761—1831)

Oil on canvas; H. 30 in. (76.2 cm), W. 25 in. (63.5 cm). Private collection.

by Mather Brown (1761—1831)

Oil on canvas; 249.9 x 181.6 cm. Royal Collection Trust, London, England.

by Mather Brown (1761—1831)

Oil on canvas.

by Mather Brown (1761—1831)

Oil on canvas; 8 3/16 x 64 3/8 in. (249.4 x 163.5 cm). The Metropolitan Museum of Art, New York, NY.

by Mather Brown (1761—1831)

Oil on canvas. New Britain Museum of American Art, New Britain, CT.

Wounds [from battle] were first cleansed with lint, either dry or wet with oil, and bandaged lightly. Later they were to be washed with a digestive — a substance used to draw pus — and then covered with a bread-and-milk poultice, with oil for moisture. For the first twelve days, a cooling regiment of medicines and diet was recommended, on the theory that this lowered the danger of infection. The empiricists among the medical men of the time had noticed that a man ran a fever with an infection, and concluded, with somewhat superficial logic, that keeping him cool would lower the chances of the infection taking root.

Unfortunately, there was little or no interest in using clean bandages or instruments.

Thomas Fleming
Now We Are Enemies: The Story of Bunker Hill (1960; reissued 2010)