Mather Brown (1761—1831)

by Mather Brown (1761—1831)

Oil on canvas; 30 1/4 x 25 1/4 (76.80 x 64.14). American Antiquarian Society, Worcester, MA.

The artist at age 50.

by Mather Brown (1761—1831)

Oil on canvas; 91.4 x 71.1 x (36 x 28 1/16 in).

by Mather Brown (1761—1831)

Adams National Historical Park, Quincy, MA.

Known as Nabby (1765—1813), daughter of John and Abigail Adams.

by Mather Brown (1761—1831)

Oil on canvas; 34 ½ x 27 ¼ in. (90.2 x 71.3 cm). Boston Athenæum, Boston, MA.

after Mather Brown (1761—1831)

Portrait by unknown artist after a 1785 painting by Brown.

attrib. Mather Brown (1761—1831)

Oil on canvas; H. 30 in. (76.2 cm), W. 25 in. (63.5 cm). Private collection.

by Mather Brown (1761—1831)

Oil on canvas; 249.9 x 181.6 cm. Royal Collection Trust, London, England.

by Mather Brown (1761—1831)

Oil on canvas.

by Mather Brown (1761—1831)

Oil on canvas; 8 3/16 x 64 3/8 in. (249.4 x 163.5 cm). The Metropolitan Museum of Art, New York, NY.

by Mather Brown (1761—1831)

Oil on canvas. New Britain Museum of American Art, New Britain, CT.

By the mid 1770s, Champlain’s Quebec had grown into a huge province stretching to the Mississippi River and including modern-day Ohio, Indiana, Illinois, Michigan, Wisconsin, and Minnesota. It was home to eighty thousand inhabitants, though only 2 percent of them spoke English. Despite its official status as a North American colony under British rule, Quebec never became a part of the coalition of colonies that eventually declared their independence in 1776. Language and religious differences set the Québécois well apart from their neighbors to the south, and when representatives of the lower thirteen colonies met at the First Continental Congress in Philadelphia in 1774, no delegate from Quebec answered the roll.

Thomas A. Desjardin
Through a Howling Wilderness: Benedict Arnold’s March to Quebec, 1775 (2006)