Gilbert Stuart (1755—1828)

by Gilbert Stuart (1755—1828)

Oil on canvas; 73 x 60.5 cm (28 3/4 x 23 13/16 in). National Gallery of Art, Washington, DC.

by Gilbert Stuart (1755—1828)

Athenaeum portrait. Oil on canvas.

by Gilbert Stuart (1755—1828)

Oil on canvas.

by Gilbert Stuart (1755—1828)

Oil on canvas; height: 42.55 cm (16.75 in), width: 32.39 cm (12.75 in) Redwood Library and Athenaeum, Newport, RI.

by Gilbert Stuart (1755—1828)

Oil on canvas; 30 x 25 in. (76.2 x 63.5 cm). Pilgrim Hall Museum, Plymouth, MA.

by Gilbert Stuart (1755—1828)

Oil on canvas; 895 x 698 mm. Tate, London, England.

by Gilbert Stuart (1755—1828)

Oil on canvas; 35 1/2 in. x 27 1/2 in. (902 mm x 699 mm). National Portrait Gallery, London, England.

by Gilbert Stuart (1755—1828)

Oil on canvas; 26 1/2 in. x 22 1/4 in. (673 mm x 565 mm). National Portrait Gallery, London, England.

by Gilbert Stuart (1755—1828)

Oil on canvas; 91.6 x 76.4 cm (36 1/16 x 30 1/16 in.) National Gallery of Art, Washington, DC.

by Gilbert Stuart (1755—1828)

Oil on canvas. National Portrait Gallery (Smithsonian), Washington, DC.

Visitors to Monticello often wonder at its practical accessories. Jefferson labored a month to save a minute. His home was impractical from the start — by reason of its very site (on a mountain), by the height given the first version of the building (later disguised in a way that left useless spaces in and around its dome), by the perpetual course of its dismantling and reassembly. To make the house more convenient, he made his daughter and her children live for years in a chaos of artistic second thoughts, sometimes sheltered only by canvas as the roof rose, fell, and assumed new shapes in his mind.

Garry Wills
Inventing America: Jefferson’s Declaration of Independence (1978)