Gilbert Stuart (1755—1828)

by Gilbert Stuart (1755—1828)

Oil on canvas; 73 x 60.5 cm (28 3/4 x 23 13/16 in). National Gallery of Art, Washington, DC.

by Gilbert Stuart (1755—1828)

Athenaeum portrait. Oil on canvas.

by Gilbert Stuart (1755—1828)

Oil on canvas.

by Gilbert Stuart (1755—1828)

Oil on canvas; height: 42.55 cm (16.75 in), width: 32.39 cm (12.75 in) Redwood Library and Athenaeum, Newport, RI.

by Gilbert Stuart (1755—1828)

Oil on canvas; 30 x 25 in. (76.2 x 63.5 cm). Pilgrim Hall Museum, Plymouth, MA.

by Gilbert Stuart (1755—1828)

Oil on canvas; 895 x 698 mm. Tate, London, England.

by Gilbert Stuart (1755—1828)

Oil on canvas; 35 1/2 in. x 27 1/2 in. (902 mm x 699 mm). National Portrait Gallery, London, England.

by Gilbert Stuart (1755—1828)

Oil on canvas; 26 1/2 in. x 22 1/4 in. (673 mm x 565 mm). National Portrait Gallery, London, England.

by Gilbert Stuart (1755—1828)

Oil on canvas; 91.6 x 76.4 cm (36 1/16 x 30 1/16 in.) National Gallery of Art, Washington, DC.

by Gilbert Stuart (1755—1828)

Oil on canvas. National Portrait Gallery (Smithsonian), Washington, DC.

One of the most stubborn myths of American history is the idea that the frontier promoted equality of material condition. This national folk legend is, unhappily, ver much mistaken. With some exceptions, landed wealth was always highly concentrated throughout the southern highlands, as it would be in the lower Mississippi Valley, Texas and the far southwest. Inequality was greater in the backcountry and the southern highlands than in any other rural region of the United States.

David Hackett Fischer
Albion′s Seed: Four British Folkways in America (1989)