Charles Willson Peale (1741—1827)

by Charles Willson Peale (1741—1827)

Oil on canvas; 91.4 x 71.1 x 2.5cm (36 x 28 x 1 in). National Portrait Gallery (Smithsonian), Washington, DC.

by Charles Willson Peale (1741—1827)

Oil on canvas; 49 7/8 x 39 3/4 in. (126.4 x 101 cm). The Metropolitan Museum of Art, New York, NY.

by Charles Willson Peale (1741—1827)

Oil on canvas. Historical Society of Pennsylvania Collection, Philadelphia History Museum at the Atwater Kent, Philadelphia, PA.

by Charles Willson Peale (1741—1827)

Oil on canvas. Independence National Historical Park, Portrait Collection (Second Bank of the United States), Philadelphia, PA.

by Charles Willson Peale (1741—1827)

Oil on canvas; height: 124.46 cm (49 in), width: 99.06 cm (39 in). Historical Society of Pennsylvania, Philadelphia, PA.

by Charles Willson Peale (1741—1827)

Oil on canvas. The Baltimore Museum of Art, Baltimore, MD.

by Charles Willson Peale (1741—1827)

Oil on canvas; 50 x 40-1/2 in. Private collection.

by Charles Willson Peale (1741—1827)

Oil on canvas; 36 13/16 x 32 1/16 inches (93.5 x 81.4 cm). Philadelphia Museum of Art, Philadelphia, PA.

by Charles Willson Peale (1741—1827)

Oil on canvas; 86 1/2" x 56 3/4". Maryland State Art Collection, Annapolis, MD.

by Charles Willson Peale (1741—1827)

Oil on canvas. Washington and Lee University, Lexington, VA.

The Farm Book, plus the elaborate chronologies made by Jefferson scholars which document almost every day of his life, demonstrate that contrary to what Martha [Jefferson] Randolph told her sons, Jefferson was not only not distant from Sally Hemings but in the same house nine months before the births of each of her seven children, and that she conceived no children when he was not there.

Fawn M. Brodie
Thomas Jefferson: An Intimate History (1974)