At the end of March  Franklin applied to [French Foreign Secretary] Vergennes for permission to publish a complete translation of the United States constitutions in French, the only language in which they could be widely read. He was eager to correct Europe’s misapprehensions about the new nation; he knew as well that he was offering up an advertisement for American trade and immigration.... Copies went out over the summer to the entire diplomatic corps and, in extravagantly bound editions, to Louis XVI and Marie Antoinette. The most influential of Franklin’s European publications the constitutions were universally well received.
American painter, active in England; 1761—1831.
American painter, principally active in London after 1774; 1738—1815.
American painter; 1751—1801.
French sculptor who sometimes created his works from life-masks; 1741—1828.
American painter, soldier; created first American museum; 1741—1827.
American painter, son of Charles Willson Peale; 1778—1860.
Artisan, Boston revolutionary, militia soldier, foundryman; 1735—1818.
American sculptor; 1756—1833.
American painter of quintessential portraits, including George Washington; 1755—1828.
British-born painter, mainly of portraits, extended the iconography of the Revolution and the Founding Fathers into the 19th century; 1783—1872.
A Great Improvisation: Franklin, France, and the Birth of America (2005)