Women of the Revolution

by John Wollaston ( c. 1710—c. 1775)

Oil on canvas; 30 x 25 in. (76.2 x 63.5 cm). New York Historical Society, New York, NY.

by John Singleton Copley (1738—1815)

Oil on canvas; 50 1/2 x 40 5/8 in. Wichita Art Museum, Wichita, KA.

by John Singleton Copley (1738—1815)

Oil on canvas; 126.05 x 100.33 cm (49 5/8 x 39 1/2 in. Museum of Fine Arts, Boston, MA.

by John Singleton Copley (1738—1815)

Oil on canvas; 127.32 x 100.65 cm (50 1/8 x 39 5/8 in). Museum of Fine Arts, Boston, MA.

by John Singleton Copley (1738—1815)

Oil on canvas; 50 x 40 in. Timken Museum of Art, San Diego, CA.

Margaret Kemble Gage, 1734—1824.

by Charles Willson Peale (1741—1827)

Oil on canvas; 91.4 x 71.1 x 2.5cm (36 x 28 x 1 in). National Portrait Gallery (Smithsonian), Washington, DC.

by Joshua Reynolds (1723—92)

Oil on canvas; 125.7 x 100.3 cm

by Charles Willson Peale (1741—1827)

Oil on canvas; height: 124.46 cm (49 in), width: 99.06 cm (39 in). Historical Society of Pennsylvania, Philadelphia, PA.

by Benjamin West (1738—1820)

Oil on canvas. Middleton Place, Charleston, SC

by John Singleton Copley (1738—1815)

Oil on canvas; 30 3/8 x 25 1/8. U.S. Department of State, Harry S.

By the mid 1770s, Champlain’s Quebec had grown into a huge province stretching to the Mississippi River and including modern-day Ohio, Indiana, Illinois, Michigan, Wisconsin, and Minnesota. It was home to eighty thousand inhabitants, though only 2 percent of them spoke English. Despite its official status as a North American colony under British rule, Quebec never became a part of the coalition of colonies that eventually declared their independence in 1776. Language and religious differences set the Québécois well apart from their neighbors to the south, and when representatives of the lower thirteen colonies met at the First Continental Congress in Philadelphia in 1774, no delegate from Quebec answered the roll.

Thomas A. Desjardin
Through a Howling Wilderness: Benedict Arnold’s March to Quebec, 1775 (2006)