Thomas Jefferson

by Jean Leon Gerome Ferris (1863—1930)

Oil on canvas; 30 x 24 in. One of the 78 scenes from American history by Ferris titled The Pageant of a Nation. Virginia Historical S

by Jean-Antoine Houdon (1741—1828)

Terra cotta patinated plaster. Thomas Jefferson Foundation, Monticello, Charlottesville, VA.

by Mather Brown (1761—1831)

Oil on canvas; 91.4 x 71.1 x (36 x 28 1/16 in).

by John Trumbull (1756—1843)

Oil on mahogany. 4 1/2 x 3 1/4 in. (11.4 x 8.3 cm). The Metropolitan Museum of Art, New York, NY.

by John Trumbull (1756—1843)

Oil on panel; 12.1 × 7.6 cm (4.8 × 3 in). The White House Collection, Washington, DC.

by John Trumbull (1756—1843)

Oil on wood; miniature. Thomas Jefferson Foundation, Monticello, Charlottesville, VA.

by Charles Willson Peale (1741—1827)

Oil on canvas. Independence National Historical Park, Portrait Collection (Second Bank of the United States), Philadelphia, PA.

by James Sharples (c. 1751—1811)

Pastel on paper. Independence National Historical Park, Portrait Collection (Second Bank of the United States), Philadelphia, PA.

by Charles Peale Polk (1767—1822)

Oil on canvas; 69.22 cm (27.25 in) x 60.96 cm (24 in). Private collection.

by Rembrandt Peale (1778—1860)

Oil on canvas. White House Historical Association, Washington, DC.

Life portrait, age 57; painted in Philadelphia.

C. Vann Woodward has written of Jefferson, It fell to the lot of one Virginian to define America. It was in his private life that Jefferson defined the relationship between blacks and whites in America, acting out in the most specific sense the psychosexual dilemma of the whole nation. Other great men in history have loved unlettered women, among them Rousseau and Goethe, each of whom lived for years with virtually illiterate mistresses and then in the end married them. But Jefferson’s dilemma was peculiarly American. So savage were the penalties of this kind of love in the New World that he could neither admit it nor defend it without fear of social ostracism, and he had to keep up an elaborate pretense that it did not exist. He could not openly, and perhaps even privately admit his paternity to Sally’s children.

Fawn M. Brodie
Thomas Jefferson: An Intimate History (1974)