Thomas Jefferson

by Jean Leon Gerome Ferris (1863—1930)

Oil on canvas; 30 x 24 in. One of the 78 scenes from American history by Ferris titled The Pageant of a Nation. Virginia Historical S

by Jean-Antoine Houdon (1741—1828)

Terra cotta patinated plaster. Thomas Jefferson Foundation, Monticello, Charlottesville, VA.

by Mather Brown (1761—1831)

Oil on canvas; 91.4 x 71.1 x (36 x 28 1/16 in).

by John Trumbull (1756—1843)

Oil on mahogany. 4 1/2 x 3 1/4 in. (11.4 x 8.3 cm). The Metropolitan Museum of Art, New York, NY.

by John Trumbull (1756—1843)

Oil on panel; 12.1 × 7.6 cm (4.8 × 3 in). The White House Collection, Washington, DC.

by John Trumbull (1756—1843)

Oil on wood; miniature. Thomas Jefferson Foundation, Monticello, Charlottesville, VA.

by Charles Willson Peale (1741—1827)

Oil on canvas. Thomas Jefferson State Reception Room, U.S. Department of State building, Washington, D.C.

by Charles Willson Peale (1741—1827)

Oil on canvas. Independence National Historical Park, Portrait Collection (Second Bank of the United States), Philadelphia, PA.

by James Sharples (c. 1751—1811)

Pastel on paper. Independence National Historical Park, Portrait Collection (Second Bank of the United States), Philadelphia, PA.

by Charles Peale Polk (1767—1822)

Oil on canvas; 69.22 cm (27.25 in) x 60.96 cm (24 in). Private collection.

But Adams did not just read books. He battled them. The casual presumption that there is some kind of rough correlation between the books in the library of any prominent historical figure and the person’s cast of mind would encounter catastrophe with Adams, because he tended to buy and read book with which he profoundly disagreed. Then, as he read, he recorded in the margins and at the bottom of the pages his usually hostile opinions of the arguments and authors.... [T]he Adams marginalia constitute evidence more revealing of his convictions about political theory than any of his official publications.

Joseph J. Ellis
Passionate Sage: The Character and Legacy of John Adams (1993)