John Adams

by Jean Leon Gerome Ferris (1863—1930)

Oil on canvas; 30 x 24 in. One of the 78 scenes from American history by Ferris titled The Pageant of a Nation. Virginia Historical S

by Benjamin West (1738—1820)

Oil on canvas; Height: 28 ½” (72.3 cm); Width: 36 ¼” (92.7 cm). Winterthur Museum, Garden and Library; Winterthur, DE.

by John Singleton Copley (1738—1815)

Black chalk, white-chalk heightening, and graphite on blue laid paper. 18 7/8 x 14 1/4 in.

by John Singleton Copley (1738—1815)

Oil on canvas; 238.1 x 147 cm (93 3/4 x 57 7/8 in). Harvard University Portrait Collection, Cambridge, MA.

by Mather Brown (1761—1831)

Oil on canvas; 34 ½ x 27 ¼ in. (90.2 x 71.3 cm). Boston Athenæum, Boston, MA.

by Charles Willson Peale (1741—1827)

Oil on canvas. Independence National Historical Park, Portrait Collection (Second Bank of the United States), Philadelphia, PA.

by John Trumbull (1756—1843)

Oil on wood; 9.8 x 8.3 cm (3 7/8 x 3 1/4 in). Yale University Art Gallery, New Haven, CT.

by James Sharples (c. 1751—1811)

Pastel on gray (now oxidized) laid paper. 9 1/2 x 7 7/16 in. • 24.1 x 18.9 cm. The Metropolitan Museum of Art, New York, NY.

attrib. family member of James Sharples (c. 1751—1811)

Pastel on gray paper; 9 x 7 in. (22.9 x 17.8 cm). The Museum of Fine Arts, Houston, TX.

But with the British army evacuated [from Philadelphia in 1778] and the Patriots now in charge, Philadelphia Loyalists were doubly vulnerable to censure and punishment for siding with the Crown and for having consorted with the enemy. The Philadelphia Assembly Appointed [Charles Willson] Peale and four others to be Commissioners of Forfeited Estates, and for that the commissioners would receive a 5 percent commission. Peale’s group had extraordinary power to interrogate suspected traitors, break into houses, remove property, and sell off estates. Writs were issued to seize 118 estates ...

Paul Staiti
Of Arms and Artists: The American Revolution Through Painter’s Eyes (2016)