George Washington

by Grant Wood (1892—1942)

Oil on canvas. Amon Carter Museum of American Art, Fort Worth, TX.

by Jean Leon Gerome Ferris (1863—1930)

Oil on canvas. One of the 78 scenes from American history by Ferris titled The Pageant of a Nation. Virginia Historical Society, Ric

by Junius Brutus Stearns (1810—85)

Oil on canvas; height: 95.25 cm (37.5 in), width: 137.16 cm (54 in). Virginia Museum of Fine Arts, Richmond, VA.

by Emanuel Gottlieb Leutze (1816—68)

Oil on canvas; 149 x 255 in. (378.5 x 647.7 cm). Painted in the artist’s studio in Düsseldorf, Germany.

by Emanuel Gottlieb Leutze (1816—68)

Oil on canvas; approximately 23 ft. x 13 ft. Roger W.

by Gilbert Stuart (1755—1828)

Oil on canvas; 73 x 60.5 cm (28 3/4 x 23 13/16 in). National Gallery of Art, Washington, DC.

by Rembrandt Peale (1778—1860)

 

by Rembrandt Peale (1778—1860)

Oil on canvas. 73.02 x 60.01 cm (28 3/4 x 23 5/8 in). Boston Museum of Fine Arts, Boston, MA.

by Rembrandt Peale (1778—1860)

Oil on canvas; 71.5 inches x 53.25 inches (181.6 cm x 135.3 cm). U.S. Senate, Washington, DC.

by Rembrandt Peale (1778—1860)

Oil on canvas; 137 1/2 x 120 1/2 in. (3.5 x 3 m). Corcoran Gallery of Art, Washington, DC.

In 1775 the British government was not the limited monarchy we know today. The King was in charge of the executive branch of the government and his duties and powers corresponded, roughly, to those the President now handles in the United States. ... Political parties as we understand them today had yet to be born. England was split into four or five factions, some revolving around a noble Lord such as Marquis of Rockingham, some around a class (the country squires) and roughly on-third of Parliament around the King who, through his executive power, had innumerable jobs, from cabinet post to lucrative sinecures, to dispense among those who supported him.

Thomas Fleming
Now We Are Enemies: The Story of Bunker Hill (1960; reissued 2010)