George Washington

by Grant Wood (1892—1942)

Oil on canvas. Amon Carter Museum of American Art, Fort Worth, TX.

by Jean Leon Gerome Ferris (1863—1930)

Oil on canvas. One of the 78 scenes from American history by Ferris titled The Pageant of a Nation. Virginia Historical Society, Ric

by Junius Brutus Stearns (1810—85)

Oil on canvas; height: 95.25 cm (37.5 in), width: 137.16 cm (54 in). Virginia Museum of Fine Arts, Richmond, VA.

by Emanuel Gottlieb Leutze (1816—68)

Oil on canvas; 149 x 255 in. (378.5 x 647.7 cm). Painted in the artist’s studio in Düsseldorf, Germany.

by Emanuel Gottlieb Leutze (1816—68)

Oil on canvas; approximately 23 ft. x 13 ft. Roger W.

by Gilbert Stuart (1755—1828)

Oil on canvas; 73 x 60.5 cm (28 3/4 x 23 13/16 in). National Gallery of Art, Washington, DC.

by Rembrandt Peale (1778—1860)

 

by Rembrandt Peale (1778—1860)

Oil on canvas. 73.02 x 60.01 cm (28 3/4 x 23 5/8 in). Boston Museum of Fine Arts, Boston, MA.

by Rembrandt Peale (1778—1860)

Oil on canvas; 71.5 inches x 53.25 inches (181.6 cm x 135.3 cm). U.S. Senate, Washington, DC.

by Rembrandt Peale (1778—1860)

Oil on canvas; 137 1/2 x 120 1/2 in. (3.5 x 3 m). Corcoran Gallery of Art, Washington, DC.

That Boston Paul Revere knew is so completely gone, it is almost useless to hunt for it. The cutting-down of of hills and building-out of new land has gone on for a century and a half. When in 1756 his artillery train trundled into Boston, they entered over ‘The Neck.’ It was the only land approach to the town. On his right was Roxbury Harbor, to his left the Back Bay, and for a mile he followed an ill-paved, desolate cart path over mudflats. The first sign of civilization was the gallows and around it the graves of criminals and suicides marked with heaps of stone.

Esther Forbes
Paul Revere & The World He Lived In (1942)