Benjamin Franklin

by Jean Leon Gerome Ferris (1863—1930)

Oil on canvas; 30 x 24 in. One of the 78 scenes from American history by Ferris titled The Pageant of a Nation. Virginia Historical S

by Robert Feke (c. 1707—52)

Oil on canvas; 127 x 102 cm (50 x 40 3/16 in.) Harvard University Portrait Collection, Cambridge MA.

by John Trumbull (1756—1843)

Oil on wood; 14 x 11.1 cm (5 1/2 x 4 3/8 in.) Yale University Art Gallery, New Haven, CT.

by Jean-Antoine Houdon (1741—1828)

 

by Benjamin West (1738—1820)

Oil on canvas; Height: 28 ½” (72.3 cm); Width: 36 ¼” (92.7 cm). Winterthur Museum, Garden and Library; Winterthur, DE.

by Charles Willson Peale (1741—1827)

Oil on canvas; oval: 23 1/8 x 19 1/16 in. (58.7 x 48.4 cm.) Pennsylvania Academy of Fine Arts, Philadelphia, PA.

by Charles Willson Peale (1741—1827)

Oil on canvas. Historical Society of Pennsylvania Collection, Philadelphia History Museum at the Atwater Kent, Philadelphia, PA.

by William Rush (1756—1833)

North American white pine; 54.6 x 40 x 38.1 cm (21 1/2 x 15 3/4 x 15 in.) Yale University Art Gallery, New Haven, CT.

by Benjamin West (1738—1820)

Oil on slate; 13 3/8 x 10 1/16 inches (34 x 25.6 cm). Philadelphia Museum of Art, Philadelphia, PA.

by Norman Rockwell (1894—1978)

Oil on canvas; 37 x 28 inches. Private collection.

More than any other figure who strode across the revolutionary stage, [Joseph] Warren gave his devotion to the American cause simply because he believed in it. Others believed as passionately, of course; but for Samuel Adams political agitation was a profession which had rescued him from a debtors’ prison; James Otis had deep grievances against the royal government because of their mistreatment of his father; John Hancock was a millionaire merchant who made much of his money from smuggling and owed the British Revenue Service over £100,000 in fines; as a lawyer, John Adams was naturally drawn into the political arena. Warren, as a doctor could have remained aloof, as many of his fellow physicians in Boston did. They were the only class in Massachusetts who were not pressured to join the cause.

Thomas Fleming
Now We Are Enemies: The Story of Bunker Hill (1960; reissued 2010)