Alexander Hamilton

by Charles Willson Peale (1741—1827)

Oil on canvas; H 24 in. x W 20 in.

by Charles Willson Peale (1741—1827)

Oil on canvas. New-York Historical Society, New York, NY.

by John Trumbull (1756—1843)

Oil on canvas. Jointly shared by The Metropolitan Museum, New York, NY and Crystal Bridges Museum of American Art, Bentonville, AR.

by John Trumbull (1756—1843)

Oil on canvas; 76.2 x 60.5 cm (30 x 23 13/16 in.) National Gallery of Art, Washington, DC.

by John Trumbull (1756—1843)

Oil on canvas; 30 3/4 x 24 3/4 in. (78.1 x 62.9 cm.) The Metropolitan Museum of Art, New York, NY.

by John Trumbull (1756—1843)

Oil on canvas; 30 1/2 x 25 1/2 in. (77.5 x 64.8 cm). New-York Historical Society, New York, NY.

by John Trumbull (1756—1843)

Oil on canvas. City Hall Portrait Collection, New York, NY.

by John Trumbull (1756—1843)

Oil on canvas. 77.79 x 62.55 cm • 30 5/8 x 24 5/8 in. National Portrait Gallery (Smithsonian), Washington, DC.

by Giuseppe Ceracchi (1751—1801)

White marble; 9 1/4 x 19 1/2 x 13 in., 87 lb. (23.5 x 49.5 x 33 cm, 39.5 kg). New-York Historical Society, New York, NY.

by James Sharples (c. 1751—1811)

Pastel on paper. Independence National Historical Park, Portrait Collection (Second Bank of the United States), Philadelphia, PA.

The Federalists of the 1780s had a glimpse of what America was to become — a scrambling business society dominated by the pecuniary interests of ordinary people — and they did not like what they saw. This premonition of America’s future lay behind their sense of crisis and their horrified hyperbolic rhetoric. The wholesale pursuits of private interest and private luxury were, they thought, undermining America’s capacity for republican government. They designed the Constitution in order to save American republicanism from the deadly effects of the private pursuits of happiness.

Gordon S. Wood
The Idea of America: Reflections on the Birth of the United States (2011)