Oil on canvas; 34 1/2 x 27 3/8 in. (87.6 x 69.5 cm). The Metropolitan Museum of Art, New York, NY.
Marquis de Lafayette, 1825
In a land where horsemanship was often men’s touchiest point of pride, Jefferson had to admit he never saw Washington’s like for grace and control in the saddle. A froniter runner and Indian wrestler — his friend George Mercer described his frame as
padded with well-developed muscles — Washington had by 1774 refined mere energy down to a grace of least movement, the higher athleticism of the dance. And he danced well.