The disarrayed condition of the colonies in 1764 — economies and societies in flux with changes wrought by war, governments trying simultaneously to adjust to international peace and cope with the effects of Indian insurrections — helps explain how the colonists reacted to British efforts to reform imperial relations.… But the single most significant factor was the depression that by 1764 had fastened a clammy grip on trade in every colony, and which would not fully release it until the decade had ended.
American painter, active in England; 1761—1831.
American painter, principally active in London after 1774; 1738—1815.
American painter; 1751—1801.
American painter, soldier; created first American museum; 1741—1827.
American painter, son of Charles Willson Peale; 1778—1860.
American painter of quintessential portraits, including George Washington; 1755—1828.
British-born painter, mainly of portraits, extended the iconography of the Revolution and the Founding Fathers into the 19th century; 1783—1872.
American artist, soldier at the Battle of Trenton; 1756—1843.
American artist, worked in Philadelphia under Gilbert Stuart, protégé of Aaron Burr; 1775—1852.
American-born painter who moved to England in 1763; 1738—1820.
Crucible of War: The Seven Years’ War and the Fate of Empire in British North America, 1754 - 1766 (2000)