Painter

Mather Brown

Self-Portrait, 1812
American painter, active in England; 1761—1831.

John Singleton Copley

Self-Portrait, 1770—71
American painter, principally active in London after 1774; 1738—1815.

Ralph Earl

Landscape View of Old Bennington, 1798
American painter; 1751—1801.

Charles Willson Peale

Self-Portrait, 1795
American painter, soldier; created first American museum; 1741—1827.

Rembrandt Peale

Self-Portrait, 1828
American painter, son of Charles Willson Peale; 1778—1860.

Gilbert Stuart

Self-Portrait, c. 1785
American painter of quintessential portraits, including George Washington; 1755—1828.

Thomas Sully

Portrait of the Artist, 1821
British-born painter, mainly of portraits, extended the iconography of the Revolution and the Founding Fathers into the 19th century; 1783—1872.

John Trumbull

Self-Portrait, 1777
American artist, soldier at the Battle of Trenton; 1756—1843.

John Vanderlyn

Portrait of the Artist, 1800
American artist, worked in Philadelphia under Gilbert Stuart, protégé of Aaron Burr; 1775—1852.

Benjamin West

Self-Portait, 1770—76
American-born painter who moved to England in 1763; 1738—1820.

Visitors to Monticello often wonder at its practical accessories. Jefferson labored a month to save a minute. His home was impractical from the start — by reason of its very site (on a mountain), by the height given the first version of the building (later disguised in a way that left useless spaces in and around its dome), by the perpetual course of its dismantling and reassembly. To make the house more convenient, he made his daughter and her children live for years in a chaos of artistic second thoughts, sometimes sheltered only by canvas as the roof rose, fell, and assumed new shapes in his mind.

— Garry Wills
Inventing America: Jefferson’s Declaration of Independence (1978)