Artist

American painter, active in England; 1761—1831.
American painter, principally active in London after 1774; 1738—1815.
American painter; 1751—1801.
French sculptor who sometimes created his works from life-masks; 1741—1828.
American painter, soldier; created first American museum; 1741—1827.
American painter, son of Charles Willson Peale; 1778—1860.
Artisan, Boston revolutionary, militia soldier, foundryman; 1735—1818.
American sculptor; 1756—1833.
American painter of quintessential portraits, including George Washington; 1755—1828.
British-born painter, mainly of portraits, extended the iconography of the Revolution and the Founding Fathers into the 19th century; 1783—1872.

Wounds [from battle] were first cleansed with lint, either dry or wet with oil, and bandaged lightly. Later they were to be washed with a digestive — a substance used to draw pus — and then covered with a bread-and-milk poultice, with oil for moisture. For the first twelve days, a cooling regiment of medicines and diet was recommended, on the theory that this lowered the danger of infection. The empiricists among the medical men of the time had noticed that a man ran a fever with an infection, and concluded, with somewhat superficial logic, that keeping him cool would lower the chances of the infection taking root.

Unfortunately, there was little or no interest in using clean bandages or instruments.

Thomas Fleming
Now We Are Enemies: The Story of Bunker Hill (1960; reissued 2010)