By attacking slavery more fiercely than ever before, Revolutionary Americans freed tens of thousands of slaves. But the Revolution’s libertarian and egalitarian message had perverse consequences. It forced those Southerners who chose to retain slavery to fall back on the alleged racial deficiencies of blacks as a justification for an institution that hitherto they had taken for granted and had never before needed to justify. The anti-slavery movement that arose out of the Revolution inadvertently produced racism in America.
American painter, active in England; 1761—1831.
American painter, principally active in London after 1774; 1738—1815.
American painter; 1751—1801.
French sculptor who sometimes created his works from life-masks; 1741—1828.
American painter, soldier; created first American museum; 1741—1827.
American painter, son of Charles Willson Peale; 1778—1860.
Artisan, Boston revolutionary, militia soldier, foundryman; 1735—1818.
American sculptor; 1756—1833.
American painter of quintessential portraits, including George Washington; 1755—1828.
British-born painter, mainly of portraits, extended the iconography of the Revolution and the Founding Fathers into the 19th century; 1783—1872.
Empire of Liberty: A History of the Early Republic, 1789–1815 (2009)