Portraits of Artists

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Artists  |  British  |  Colonials  |  Enslaved People  |  French  |  Germans  |  Natives  |  Spanish  |  Others

  • Mather BrownAmerican-born painter, active in England (1761—1831)
  • John Singleton CopleyAmerican painter, principally active in London after 1774 (1738—1815)
  • Ralph EarlAmerican painter, principally of portraits (1751—1801)
  • Jean-Antoine HoudonFrench sculptor who sometimes created his works from life-masks (1741—1828)
  • Charles Willson PealeAmerican painter, soldier; created first American museum (1741—1827)
  • Rembrandt PealeAmerican painter, son of Charles Willson Peale (1778—1860)
  • William RushAmerican sculptor (1756—1833)
  • Gilbert StuartAmerican painter of quintessential portraits, including George Washington (1755—1828)
  • Thomas SullyBritish-born painter, mainly of portraits (1783—1872)
  • John TrumbullAmerican artist, soldier at the Battle of Trenton (1756—1843)
  • John VanderlynAmerican artist, protégé of Aaron Burr (1775—1852)
  • Benjamin WestAmerican-born painter who moved to England in 1763 (1738—1820)

By modern standards there is something unlikeable about John Hancock. His type of patriotism and charity is as obsolete as his brocaded dressing-gowns and jewelled buttons. He was one of those men who curiously go in and out of style. Once they are out they are hard to value. ‘The golden showers of guineas’ that marked his almost royal progress, his big speeches, like ‘burn Boston and make John Hancock a beggar if the public good requires it,’ do not arouse in us the same genuine enthusiasm they did in his contemporaries. Such men as Paul Revere, [Royal Governor Thomas] Hutchinson, Joseph Warren, or Sam Adams never are in style or out. Their personalities exist quite independently from the accident of their birth in the first half of the eighteenth century. This is not quite true of John Hancock.

Esther Forbes
Paul Revere & The World He Lived In (1942)