Portraits of Artists

All  |  People You Should Know

Artists  |  British  |  Colonials  |  Enslaved People  |  French  |  Germans  |  Natives  |  Spanish  |  Others

  • Mather BrownAmerican-born painter, active in England (1761—1831)
  • John Singleton CopleyAmerican painter, principally active in London after 1774 (1738—1815)
  • Ralph EarlAmerican painter, principally of portraits (1751—1801)
  • Jean-Antoine HoudonFrench sculptor who sometimes created his works from life-masks (1741—1828)
  • Charles Willson PealeAmerican painter, soldier; created first American museum (1741—1827)
  • Rembrandt PealeAmerican painter, son of Charles Willson Peale (1778—1860)
  • William RushAmerican sculptor (1756—1833)
  • Gilbert StuartAmerican painter of quintessential portraits, including George Washington (1755—1828)
  • Thomas SullyBritish-born painter, mainly of portraits (1783—1872)
  • John TrumbullAmerican artist, soldier at the Battle of Trenton (1756—1843)
  • John VanderlynAmerican artist, protégé of Aaron Burr (1775—1852)
  • Benjamin WestAmerican-born painter who moved to England in 1763 (1738—1820)

Summer or winter the men of the [British] line regiments wore the same heavy greatcoats with sleeves tight as stockings. The stock, or waistcoat, was equally tight and had a high stiff collar which forced the soldier to keep his head up, even when the sun was in his eyes. His pants were as tight as possible and the gaiters, put on wet, frequently shrank so that they hampered the circulation in his legs. From the belt around his waist hung his bayonet scabbard which knocked against his calves as he walked. On his right hip, supported by a broad, constricting belt which ran over his shoulder and across his chest, was his rectangular cartridge box, which interfered with his haversack, if, as now [Boston, 1775], he was carrying his full equipment.

Thomas Fleming
Now We Are Enemies: The Story of Bunker Hill (1960; reissued 2010)