Portraits of Artists

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Artists  |  British  |  Colonials  |  Enslaved People  |  French  |  Germans  |  Natives  |  Spanish  |  Others

  • Mather BrownAmerican-born painter, active in England (1761—1831)
  • John Singleton CopleyAmerican painter, principally active in London after 1774 (1738—1815)
  • Ralph EarlAmerican painter, principally of portraits (1751—1801)
  • Jean-Antoine HoudonFrench sculptor who sometimes created his works from life-masks (1741—1828)
  • Charles Willson PealeAmerican painter, soldier; created first American museum (1741—1827)
  • Rembrandt PealeAmerican painter, son of Charles Willson Peale (1778—1860)
  • William RushAmerican sculptor (1756—1833)
  • Gilbert StuartAmerican painter of quintessential portraits, including George Washington (1755—1828)
  • Thomas SullyBritish-born painter, mainly of portraits (1783—1872)
  • John TrumbullAmerican artist, soldier at the Battle of Trenton (1756—1843)
  • John VanderlynAmerican artist, protégé of Aaron Burr (1775—1852)
  • Benjamin WestAmerican-born painter who moved to England in 1763 (1738—1820)

By 1789 many of the Federalists, particularly Hamilton, had no confidence whatsoever left in the virtue or the natural sociability of the American people as adhesive forces: to rely on such wild schemes and visionary principles, as radicals like Jefferson and Paine did, to tie the United States together, the Federalists said, was to rely on nothing. Hence Hamilton and the other Federalist leaders had to find things other than republican virtue and natural sociability to make the American people a single nation.

Tying people together, creating social cohesiveness, making a single nation out of disparate sections and communities without relying on idealistic republican adhesives — this was the preoccupation of the Federalists, and it explains much of what they did — from Washington’s proposals for building canals to Hamilton’s financial program.

Gordon S. Wood
The Idea of America: Reflections on the Birth of the United States (2011)