Mercy Otis Warren

Portrait by John Singleton Copley, 1763

OTHER IMAGES

QUICK FACTS
BORN:
14 September 1728 in Barnstable, Massachusetts
  DIED:
19 October 1814 in Plymouth, Massachusetts
Buried at Old Burial Hill in Plymouth with her husband, James.

AUTHOR OF

Plays

  • The Adulateur, 1772
  • The Defeat, 1772
  • The Group, 1775

History

  • The Rise, Progress and Termination of the American Revolution, Interspersed with Biographical, Political and Moral Observations (3 volumes), 1805

Mercy Otis Warren, American writer, sister of James Otis, was born in Barnstable, Massachussets in 1728. She married James Warren (1726—1808) of Plymouth, a college friend of her brother, in 1754. Her literary inclinations were fostered by both these men and she began writing poems, dramas, and essays.

Because her husband took a leading part in events leading up to, during, and after the American Revolution — as a member of the Massachusetts House of Representatives (1766—74) and its speaker (1776—77; 1787—88), as well as a member (1774—1775) and president (1775) of the Provincial Congress — Warren was keenly interested in following its progress.

Her gift of satire was used in her political dramas, The Adulator (1773) and The Group (1775). Abigail Adams, a close friend of Warren’s, approved and encouraged her efforts — as did her husband, John Adams.

Warren’s tragedies The Sack of Rome and The Ladies of Castile, were included in her Poems, Dramatic and Miscellaneous (1790), dedicated to General Washington. Apart from their historical interest, her poems and dramas are not generally read today. In 1805 she published The Rise, Progress and Termination of the American Revolution, a history of the revolution that included personal criticism of John Adams — which he took issue with and bitterly resented.

Surviving her husband by nearly six years, Mercy Otis Warren died on 19 October 1814 at the age of 86.

ADAPTED FROM:
Encyclopedia Britannica, 1911 ed.

In a land where horsemanship was often men’s touchiest point of pride, Jefferson had to admit he never saw Washington’s like for grace and control in the saddle. A froniter runner and Indian wrestler — his friend George Mercer described his frame as padded with well-developed muscles — Washington had by 1774 refined mere energy down to a grace of least movement, the higher athleticism of the dance. And he danced well.

Garry Wills
Inventing America: Jefferson’s Declaration of Independence (1978)